Kendrick Lamar and SZA’s “luther” Video Is A Visual Ode To Black Love

Kendrick Lamar is once again speaking in symbolism — only this time, it feels like you’re draped in silk while slow dancing cuddled close — all in the name of Black love.

In the new visuals for “luther” — the breakout hit from Kendrick’s 2024 surprise album GNX — K. Dot and SZA serve us romance, reverence, and a reminder: Black love is revolutionary, and when nurtured, it is art.

The romantic and low-key video, set in what appears to be a vacant office building with a downtown backdrop, features Kendrick Lamar and SZA moving through scenes interspersed with the soulful sample of Cheryl Lynn and Luther Vandross’ “If This World Were Mine” playing softly in the background. It’s filled with serene, cinematic imagery — stately spaces and quiet corners where love lingers. Even a fast-food restaurant feels sacred, turning the ordinary into something timeless.

From the moment SZA graces the screen, she embodies the very beauty the world too often tries to diminish. Her styling is deeply rooted in Black culture, with each look a nod to the divinity and beauty of Black women — whether in sexy attire, streetwear couture, or in our soft girl aesthetic — Sza’s presence in the video feels bold, intentional, and unapologetic. 

Then, there’s the symbolism. The video, directed by Karena Evans — known for bringing the narrative to life in music — isn’t flashy. It doesn’t need to be. 

It’s elegant in its simplicity, allowing love to be the focal point. We watch Kendrick Lamar and SZA move in and out of moments with their on-screen partners — smiles exchanged, fingers grazed, souls seemingly aligned as they stare into each other’s eyes. At times, it feels like a fond memory playing on a loop, a flashback to love at first sight. A tribute to a connection that transcends time and struggle.

And just when you think it couldn’t get more poetic, Kendrick takes us there. He invokes the spirit of Luther Vandross — one of the greatest vocalists of all time, whose love songs shaped generations. Kendrick quietly honors Luther’s legacy, acknowledging how the man who gave the world “Never Too Much” never got to experience that kind of love in his own life, yet through his music, Luther made millions feel seen, desired, and worthy.

It’s that juxtaposition — the reality versus the romance — that makes “luther” hit differently.

There’s also an undercurrent running through the entire visual: unity. Subtle but unmistakable. The warmth shared between Black and brown characters is not a coincidence. In a time when division is profitable, Kendrick Lamar reminds us that love is where the real power lives. That our communities —interconnected, intertwined — are stronger together.

As “If This World Were Mine” by Cheryl Lynn and Luther Vandross plays softly at the end of the video, it all comes full circle. The message isn’t loud; it doesn’t need to be. It whispers what we already know: Black love is sacred. Black joy is healing. And when we see each other — really see each other — we become unstoppable.

With “luther” topping the Billboard Hot 100 for a seventh consecutive week, Kendrick earns his sixth No. 1 and SZA her third. But the numbers, while impressive, aren’t the point. 

“luther” is bigger than a hit; it’s a visual poem. A cultural archive. A mirror for those who’ve loved, lost, and dared to try again.

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